Tahbilk Grenache Mourvèdre Rosé 2020
No percentage split this year named for the Grenache and Mourvèdre, but the notes do also state “a decent whack of estate Shiraz.” No harm done there at all. Tahbilk, […]
No percentage split this year named for the Grenache and Mourvèdre, but the notes do also state “a decent whack of estate Shiraz.” No harm done there at all. Tahbilk, […]
A deviation here in the usual Jaraman paradigm, this release is a sourced from a single region. Taylors, Jaraman, Pinot Noir, Yarra Valley, 2017 Brooding aromas: peppery stalky notes, crushed […]
Yes, I’ve only just reviewed the widely available 2016 of this wine but this 2017 is now available to Tahbilk wine club members and soon to be rolled out to […]
An “Australian” blend of Cabernet Sauvignon (62%) and Shiraz (38%). Maturation in French and American oak. Tahbilk, Old Vines, Cabernet Sauvignon, Shiraz, Nagambie, 2016 Deep garnet hue. Swathes of blackberry […]
This release carries plenty of gold and silver medals from both foreign and domestic shows/competitions on the label, while the full sheet of accolades runs double that in length. Taylors, […]
One of Tahbilk’s flagship reds and released with a touch of bottle age. Tahbilk this year are celebrating their 160th anniversary in 2020 and I can guarantee it won’t be […]
True to modern Australian form, the Jaraman series sees blending from prime regions for the varieties. This time we get the juxtaposition of Clare Valley and Coonawarra. Taylors, Jaraman, Cabernet […]
Continuing the theme of blending from prime fruit regions, here Taylors stick to their home base of the Clare Valley, along with reaching to the west in Margaret River. As […]
Taylors introduce Grenache into the Jaraman range, sourced from the two premium South Australian regions of McLaren Vale and the Barossa Valley. Only older American oak barrels used for maturation. […]
Does what McLaren Vale does so well. Old vine Grenache with maturation in new and old French oak to maintain fruit focus. Foot stomped and basket pressed. d’Arenberg, The Derelict […]